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Agustín Pío Barrios
(also known as Agustín Barrios Mangoré and Nitsuga—Agustin spelled backwards—Mangoré; May 5, 1885 – August 7, 1944) was a Paraguayan virtuoso classical guitarist and composer, largely regarded as one of the greatest performers and most prolific composers for the guitar.
Over 300 of Barrios’ compositions survive. He is still revered in Latin America to this day, where he is seen as one of the greatest musicians of all time by many. John Williams, former student of Andres Segovia, said of Barrios: “As a guitarist/composer, Barrios is the best of the lot, regardless of era. His music is better formed, it’s more poetic, it’s more everything! And it’s more of all those things in a timeless way.”
Barrios was famed for his phenomenal performances, both live and on gramophone recordings. His works were largely late-Romantic in character, despite his having lived well into the twentieth century. Many of them are also adaptations of, or are influenced by, South American and Central American folk music. Very many of them are of a virtuosic nature.
The Johann Sebastian Bach-inspired La Catedral, from 1921, is widely considered to be Barrios’ magnum opus, even winning the approval of Andrés Segovia, who said “In 1921 in Buenos Aires, I played at the hall La Argentina noted for its good acoustics for guitar, where Barrios had concertized just weeks before me. He was presented to me by his secretary Elbio Trapani. At my invitation Barrios visited me at the hotel and played for me upon my very own guitar several of his compositions among which the one that really impressed me was a magnificent concert piece The Cathedral whose first movement is an andante, like an introduction and prelude, and a second very virtuosic piece which is ideal for the repertory of any concert guitarist. Barrios had promised to send me immediately a copy of the work (I had ten days remaining before continuing my journey) but I never received a copy.”
Via wikipedea